Reve

  • Halfmoon

byReve AI

Posters, packaging and signage where every headline lands crisp, correctly spelled and exactly where you placed it

Cobalt blue flask on a peach pedestal in a warm editorial product scene.

How Reve works

Write the image like a layout brief, set a tier and a frame, and refine with plain instructions. The same node generates from text, edits one image or remixes several.

Fuser prompt node connected to the Reve image generator with a product scene result.

Write a layout brief

Describe the subject, where it sits and any literal text in quotes, then attach up to eight reference images if you have them.

Reve 2.1 settings in Fuser showing square aspect ratio and PNG output.

Pick a tier and a frame

Choose 2.1 for final typography or Original for cheap drafts, then set the aspect ratio and file format.

Completed cobalt flask image displayed inside the Reve node on the Fuser canvas.

Generate, then edit in place

Get a clean, hierarchy-aware composition, then change one element with a plain-language instruction.

What Reve is good at

Reve plans composition, hierarchy and text placement before it renders, which is why its strengths are readable type, spatial logic and edits that leave the rest alone.

Silver FIELDWORK botanical balm tin displayed in an olive architectural niche.

Crisp, correctly spelled type

A language-model planner places headlines, labels and signs before rendering, so packaging and posters carry legible copy. Use 2.1 text-to-image when typography and multilingual text matter most.

Yellow ceramic pitcher, blue checked cloth and oatmeal chair blended into one sunlit set.

Remix up to eight references

Give each reference one job — product, person, location, style — and name it by index in the prompt. Remix on 2.1 keeps each reference's identity more reliably than the Original tier.

Deep blue sculptural lounge chair isolated in a neutral limestone interior.

One-instruction edits

Swap a garment, recolor a background or rewrite a sign's copy, and say 'keep everything else the same' so untouched regions hold steady. Edit takes a single source image and is available on both tiers.

Circular travertine pavilion surrounding a reflecting pool beneath a timber roof.

Layouts from 4:1 to 1:4

From panoramic 4:1 banners to tall 1:4 signage, plus Auto. Describe the layout to match the frame and the composition holds.

Made with Reve

Posters, fashion frames, packaging, film stills and interiors, all with clean focal hierarchy, polished light and tidy spatial relationships.

Constructivist FORM IN MOTION exhibition poster in cream, vermilion and cobalt.

Constructivist typographic exhibition poster

Silver-haired older fashion model wearing a sculptural lime blouse against crimson.

Editorial fashion portrait with saturated color tension

Lavender VEIL serum bottle and carton arranged on dark burgundy lacquer.

Minimalist luxury cosmetic packaging hero

Red balloons floating in a mirrored cobalt elevator under cinematic strip lights.

Cinematic music-video visual frame

Modern glass interior with a plum conversation pit and sculptural pendant light.

Modernist interior spatial study

What people build with Reve

Designers, packaging teams and art directors reach for it when an image has to be laid out as well as rendered, and when copy on the page has to read correctly.

Poster and album-art designers

01

Lock headline, subline and date exactly where the layout needs them, and get crisp type on the first render instead of retouching glyphs afterward.

Packaging and e-commerce teams

02

Mock up labels, boxes and product heroes with readable copy, then use edit to swap flavors, colors or claims across a whole line without rebuilding each shot.

Campaign art directors

03

Brief a clear visual hierarchy and let the planner place hero, headline and negative space. Use 2.1 for the final comp and the Original tier for cheap layout drafts.

Fashion lookbook builders

04

Remix a garment, a model reference and a location into a single frame, with up to eight references and a stated role for each.

Concept artists staging scenes

05

Build multi-subject frames with specific spatial relationships — who stands left, what hangs behind, what passes on the right — and keep in-scene signage legible.

Versions
Reve 2.1, Original
Inputs
Prompt (text), Image (up to 8)
Output
image
Aspect ratios
Square (1:1), Panoramic (4:1), Panoramic (3:1), Cinematic (21:9), Wide (2:1), Wide (17:9), Landscape (16:9), Portrait (9:16), Landscape (4:3), Landscape (5:4), Portrait (4:5), Portrait (3:4), Landscape (3:2), Portrait (2:3), Portrait (1:2), Portrait (1:3), Portrait (1:4)
Cost
55–345 credits per run

Reve questions

Reve 2.1 is the higher-fidelity tier and the default; the Original is the cheaper, older one. 2.1 is the better choice for final typography, multilingual text and layout precision. Original costs several times less, but has weaker typography and fidelity, so use it to explore composition and copy, then finish on 2.1.

Use 2.1 for final edits and remixes, and the Original for inexpensive tests. Edit takes one source image and works well for swapping an element or changing copy on a sign. Remix takes 2 to 8 references and depends on you stating each reference's role. The Original remix is less reliable at keeping each reference's identity separate.

Halfmoon is the name under which Reve AI, a Palo Alto lab, first previewed this model in early 2025. It is the same model family that is now released as Reve, so you are in the right place.

Up to 8. With no image it generates from text, with one image it edits by instruction, and with two to eight images it remixes. For remix, give each image one job and name it in the prompt.

It struggles with real-person or celebrity likenesses, where moderation is strict, and with loose painterly or abstract exploration, where results can look over-clean. It has no seed or step control for reproducibility, and it won't guarantee transparent-background cutouts. Very dense text blocks can still misspell, and 2.1 is a poor fit for bulk throwaway drafts.

Try Reve on Fuser

Posters, packaging and signage where every headline lands crisp, correctly spelled and exactly where you placed it