AI storyboards for video

Get the shot across before the camera rolls.

A script leaves room for interpretation. Show the framing, atmosphere and movement you mean with storyboard images and short video studies. Bring the sequence into focus while there is still room to change it.

Cinematic frame concept of a white horse galloping across a dry, sparsely vegetated landscape.
01

Give each beat a frame.

Develop key images from your script, treatment and visual references. Explore an establishing shot, a close-up or the moment the product appears. Keep the studies together so you can see whether the sequence tells the story you intended.

Nine-frame storyboard concept with figures in geometric architectural spaces in warm orange, yellow and pink tones.
02

Find out what movement adds.

Send a selected frame into image-to-video and explore the action or camera movement. Work with the reference, duration and other controls available on that video tool. Compare the resulting clips before committing the sequence to a particular treatment.

Music-video frame concept of a five-piece band silhouetted against vivid green stage lighting.
03

Make the board easy to talk through.

Arrange frames with shot numbers, dialogue excerpts and production notes in Compositor. Text stays editable when the script changes. Directors, clients and collaborators get a clear visual plan rather than a collection of unlabeled exports.

Nine-panel presentation board concept showing people, swimming pools and geometric architecture from varied viewpoints.

From the treatment to the shot discussion.

Create the visual material that makes a sequence easier to pitch and refine.

Nighttime scene concept of a crowd dancing around a decorated pole under bright lighting.

Storyboard frames

Turn the key beats into images with deliberate framing and atmosphere.

Vertical cinematic frame concept with a lone figure facing a brightly lit glass enclosure and distant silhouettes.

Shot alternatives

Compare distance, angle and composition around the same scene reference.

Silhouette of a rider lifting a motorcycle against a smoky blue background.

Motion studies

Explore how a chosen frame develops into a short moving shot.

Presentation board concept of monochrome shot thumbnails with red circles and crosses marking selections.

Presentation boards

Combine frames with editable numbers, captions and notes for a clearer review.

Your questions, answered.

Yes. Use your images with tools that accept visual references and keep them beside the generated frames. Reusing references helps you direct the sequence; review faces, wardrobe, props and lighting across shots because generated details can vary.

Yes. Use the script to describe the subject, action, framing and atmosphere of each shot, then develop the frames on the canvas. Add visual references where they matter. Working shot by shot gives you room to resolve a difficult moment before you commit to the wider sequence.

Yes. Connect an image to an image-to-video tool, then describe the movement you want. Some tools accept additional frame references. The available controls are visible on the selected node, so you can choose the approach that suits the shot.

Create separate studies from the scene’s references and vary the shot description: a wide establishing view, a close detail or an over-the-shoulder angle. Keep the alternatives visible together. You can discuss what each framing communicates before developing the selected frame into motion.

Yes. Arrange the selected frames in Compositor and add editable text for shot numbers, dialogue or direction notes. Control the spacing and hierarchy yourself. A wording change stays a text edit, and a replacement frame can take its place without regenerating the entire presentation.

Use Fuser to develop frames, generate clips and compose boards. Take selected outputs into your timeline editor for precise sequencing, sound and final finishing. You can keep returning to the Fuser project when a shot needs another version.

No. Return to that shot’s references and generation steps, develop a replacement, then update the selected frame or clip in your working presentation. Keep the surrounding shots nearby for comparison. You can refine the weak moment while retaining the direction already established for the sequence.

Make the next shot review a visual conversation.

Bring a scene, a treatment or a few references. Build the frames that explain what you have in mind.

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