Kling 3.0

Standard is for fast, lower-cost concepting; Pro is for final-quality shots. Standard suits storyboard exploration and animating concept stills, but fine details can look slightly softer. Pro is the choice for high-fidelity commercial and cinematic work and holds source-image features best in image-to-video, at higher cost and longer render times.

Use a Turbo tier. Turbo Standard is built for ideation, pitch animatics and prompt tuning, trading some fine texture and motion subtlety for speed. Turbo Pro sits between Pro fidelity and Turbo speed, with crisper edges at slightly higher cost, and suits tight deadlines and client approvals.

Yes. Add a start image and an end image, available on the Standard and Pro tiers, and the model interpolates the transition. Keep geometry, palette and lighting consistent between the two frames. Radically different lighting, scale or perspective can produce motion blur artifacts. Longer durations of 10–15 seconds help with gradual transitions.

Yes, when you turn on Generate Audio it produces ambient sound, acoustics and dialogue in the same pass as the video. Describe sounds in the prompt, and put spoken lines in brackets. Lip-sync can drift in multilingual dialogue.

From 3 to 15 seconds, set in whole seconds, with a default of 5. Aspect ratios are 16:9, 9:16 and 1:1. Use 5–8 seconds for a single camera move and 10–15 for multi-phase action or end-frame transitions.

It is weaker at dense crowds, complex multi-body collisions and fine typography or motion-graphics text. It is not built for real-time generation, and fast cuts inside a single shot are unreliable. Rapid rotational movement can also warp limbs. Kling is made by Kuaishou.