LTX 2.5

byLightricks

Direct cinematic motion with natively synchronized audio, from fast storyboard drafts to precise retakes of an existing clip

How LTX 2.5 works

Write a scene the way a director would brief it, pick a tier, and get a clip that already sounds finished. Retakes let you fix one moment instead of starting over.

A cinematic night-ferry prompt connected to an LTX 2.0 video node in Fuser.

Frame the scene

Write one present-tense paragraph with framing, light, action and sound, or drop in a still as the first frame.

The complete LTX 2.0 node configured for Fast mode, 1080p, six seconds, 25 FPS, 16:9, and generated audio.

Pick Fast or Pro

Choose Fast for quick iteration, longer clips and up to 4K output, or Pro for quality-optimized final shots at up to 1080p.

An LTX 2.0 result node showing a cinematic night-ferry clip in Fuser.

Turn on sound, then retake

Generate synchronized sound alongside the picture, or connect an existing video to retake a time window, replacing its picture, its audio, or both.

What LTX 2.5 is good at

Lightricks' open-source audio-video model generates picture and sound together in a single pass, from a text prompt or a still image.

Picture and sound in one pass

Video and audio are generated together in one pass, so ambience, Foley and dialogue land in sync with the motion on screen without a separate audio tool.

Surgical retakes on existing footage

Connect an existing clip and retake just a time window: fix a glitch, change a performance or replace the sound, without regenerating the whole video.

Pro Quality for Final Shots

Pro mode is tuned for fidelity, with sharper texture and steadier lighting for hero shots at up to 1080p and up to 50 FPS.

Fast drafts, up to 20 seconds

Fast mode is built for rapid iteration: longer clips at 720p and 1080p, and resolutions up to 4K for shorter shots, so you can explore ideas before committing.

Made with LTX 2.5

A gallery of clips where the sound carries as much as the image: copper footsteps in a limestone hall, glass hissing at the furnace, a synth trace pulsing on beat.

Architectural tension in bleached limestone and copper

Sensory craft documentation with synchronized tactile Foley

High-contrast analog synthesis visualizer

Macro material collision in razor-sharp clarity

A spoken line with room tone, straight from a prompt

A spoken line with room tone, straight from a prompt

What people build with LTX 2.5

Filmmakers, ad teams, product designers and musicians reach for it when a clip needs voice and sound design from the first frame, not a separate audio pass later.

Narrative shorts with spoken lines

01

Write a scene with quoted dialogue and get a self-contained clip with voice, room acoustics and ambience already in place. Ideal for proofing a script before you commit to a shoot.

Commercial storyboards and animatics

02

Brand studios and agencies render hero product shots in Pro mode, with synchronized Foley that mirrors the physical behaviour of the objects on screen.

Animating hero stills with Foley

03

Take a finished product shot or portrait and give it the next logical motion with matched sound. Image-to-video keeps the frame you approved and adds the camera move.

Localized dialogue and sound redubs

04

Keep the picture, replace the voice or the soundscape from a chosen timestamp. Redo a line in another tone or swap ambience for a new market without a reshoot.

Music visuals with built-in sound

05

Build looping visualizers, teaser clips and cover-art motion where the picture and the sonic texture are generated together, so the beat and the image never drift apart.

LTX 2.5 specs

Plans and credits
Versions
Fast, Pro
Inputs
Prompt (text), Image, Retake Video (video)
Output
video
Duration
6s, 8s, 10s, 12s, 14s, 16s, 18s, 20s
Resolution
720p, 1080p, 1440p, 2160p
Aspect ratios
16:9, 9:16
Audio
Generates audio
Cost
744–8,266 credits per run

LTX 2.5 questions

LTX 2.5 is the newer release of Lightricks' open-source LTX-2 audio-video model family. Fuser's LTX node now runs LTX 2.5 for text-to-video and image-to-video, and uses LTX-2.3 for retakes, which LTX 2.5 does not offer.

Fast mode is built for speed and range: it renders at 720p up to 4K and supports clips up to 20 seconds at 720p or 1080p and 25 FPS; higher resolutions and 50 FPS are limited to 10 seconds. Pro mode is quality-optimized, renders at 720p or 1080p, and supports clips up to 10 seconds.

Yes. Connect the video, choose a retake mode and a start time, and replace the audio, the picture, or both. Replace Audio rewrites dialogue or redesigns Foley without touching the visuals; Replace Video reshoots the action while keeping the original audio timing. It runs on an earlier engine iteration, and big structural changes can leave transition seams.

Yes. With audio enabled, LTX 2.5 generates synchronized ambience, Foley and sound effects in the same pass as the video, matched to the motion on screen.

Like other video models, LTX 2.5 is less reliable with legible on-screen text, flat 2D graphic animation and very fast action with rapid cuts. It is strongest on physically grounded, cinematic shots with deliberate camera movement.

It struggles with overlapping multi-character dialogue, dense typography and extreme high-speed acrobatics. Long conversations with rapid speaker switches, text that must hold exact layout in every frame and vector-style graphics are better handled elsewhere. Hands can deform during fast gestures, and long pans away from the start frame may soften or drift.

Try LTX 2.5 on Fuser

Direct cinematic motion with natively synchronized audio, from fast storyboard drafts to precise retakes of an existing clip